This is the reason the American military machine exists on
such a massive scale: Our leaders wish to establish, by force, if
necessary, global hegemony. Accordingly, what do platitudes such as, "I
support the troops" translate to when those troops are engaged in an
illegal and immoral occupation of a foreign land, invaded under false
pretenses? Where is the line to be drawn between having empathy for an
army comprised to a large degree of economic conscripts and giving
tacit approval to the war crimes they commit? Since the enacting of the
Nuremberg Laws, the claim of "I was only following orders" has been
ruled an inadmissible defense. Shouldn't the plea of "I couldn't get a
good job after high school, so I joined the military, was shipped off
to Iraq, where I grew so scared, frustrated and angry, that, every once
in a while, I lit-up a few Haji civilians, with my M16, turning them
into twitching jellyfish" be regarded as equally inadmissible?
To bestow unquestioning and unilateral support for the soldiers of a
ruthless empire's immoral invasion of a sovereign nation is a recipe
for war crimes and atrocities. Soldiers represent a cross-section of a
nation's population, evincing a mix of human traits and
characteristics, some admirable and worthy of support and others
reprehensible and deserving of condemnation and contempt. Accordingly,
many soldiers are not heroes and all heroes need not be soldiers.
Resistance and the refusal to fight immoral wars constitutes bravery as
well.
This most recent version of the proto-fascist
glorification of the military has its origins in the rightist
revisionist history of the Vietnam War. Over the decades, the right has
deftly and dishonestly framed the narrative and succeeded in foisting
its mythos of unquestioning loyalty to all things military upon the
history-bereft, reality-resistant American populace.
At its
dark and deceitful heart, this is a fantasy that is as fact free as it
is invidious. Accordingly, the public of the United States was bilked
into believing conservative propaganda such as the preposterous urban
legend involving hippies spitting on returning Vietnam vets. Yep, that
sounds plausible: scrawny hippies, afflicted with pot-induced cotton
mouth, expectorating on trained killers, just returned from the killing
zones of Southeast Asia. If you believe that nonsense, I'll sell you,
on Ebay, the Stairway To Heaven — the very one that inspired the Led
Zeppelin song.
Almost every utterance on the subject by
conservatives is either bullshit or an outright lie. The biggest of the
Big Lies was and remains roughly as follows: The Vietnam War was lost,
not during the battles and skirmishes fought in that country's emerald
jungles and muddy rice paddies, but in the privileged confines of
college campuses and in the sun-drenched enclaves of Hollywood
liberals. To hear conservatives tell it, the North Vietnamese Army and
Vietcong guerillas were all but on their knees, beaten, on the verge of
surrender, when Jane Fonda flew to their side, rallying their flagging
spirits with the succor of her American troop-hating, commie-suckling
sedition, hence rallying them on to final victory.
Next, under
the influence of that cultural laughing gas known as Reaganism,
Hollywood created a Vietnam mythos even more preposterous than the one
chronicled above. Whereby, in the nineteen eighties, Chuck Norris and
Sylvester Stallone refought the Vietnam War and won. In these epics of
testosterone-poisoned kitsch, Norris and Stallone, freed of government
restraint and hippie bad mojo, reaped revenge on the godless, yellow
hordes, by deploying the terrible weaponry of their male pheromonal
musk defoliates and hairstyling jell napalm. It would seem, from the
POV of these movies, that the Vietnamese communists were brought to
heel with prop automatic assault weapons and blow dryers. On the screen
of suburban cineplexes, Asian extras, costumed as Vietnamese soldiers,
fell before Norris' and Stallone's barrage of blanks like Hollywood
Indians of old.
Once again, the world had been set right; those
runty, upstart, Southeast Asian bastards had been put in their place.
The United States was victorious. Of course, not in historical truth —
but in the only place that mattered to us — in our Cold War fevered
minds, a place where Americans believed that the "Evil Empire" plotted
to invade our post-war, consumer paradise, because the commie hordes
lusted to collectivize our Buicks, our blondes, our pool furniture and
our lawn statuary. All in the same insane way, we hallucinate, at
present, that "Islamo-Fascists" scheme to invade us and put Lindsey
Lohan in a Burka.
In truth, the only place the people of
Vietnam ever constituted a threat to the United States was within the
toxic mindscapes of paranoid cold warriors. This death-enamored realm —
where the most psychotic is king — is the place (and only place) where
Iraq's weapons of mass destruction existed, and is where, at present,
Iran's threat to the United States looms. Resultantly, we have erected
this walled and fortified domain of delusion, this heavily armed
Disneyland of militant ignorance, with all its attendant, noxious myths
of the sacrifices of its noble warriors, for a less than noble reason
and purpose. The purpose of this jingoistic blarney is to shield the
general public from the ugly reality of how and why an empire's armies
exist; because an empire's armies are mustered — not to protect the
Homeland — but to secure plunder for its ruling elite and provide
mollifying bribes for its hoi polloi.
By necessity, the fantasy
must be large and all pervasive. Within it, a frightened citizenry must
believe that all its potential leaders must embody the traits of a
bona-fide, baptized in blood, warrior king. Ergo, the gun-caressing,
bible-clutching, dog-baiting,
"the-ruling-class-took-everything-leaving-me-with-nothing-but-my-masculine-pride"
crowd is never going to accept the junior senator from the state of New
York, currently vying for the throne — even if she has re-branded
herself as Hillary W. Bush.
At this point, it is imperative
that we let the world in on a dirty, little secret that many naive
liberals have managed to lockout of their minds: (Bill) Clintonism was
a continuation of Reaganism, sans the Grecian Formula and pomade.
Furthermore, Bill Clinton was the diametric opposite of FDR, not in
personal style — but in his administration's domestic policies and
social priorities. While Roosevelt was accused of being a "traitor to
his class," for betraying his aristocratic ilk, by the enacting of The
New Deal, Bill Clinton, also, proved to be a traitor to his class, by
betraying those who shared his laboring class beginnings, by means of
his ruinous neo-liberal trade policies and his
anything-for-the-boys-on-Wall-Street economics. As far as his
relationship with the nation's military/industrial complex, Clinton,
because he had avoided military service during the Vietnam War, had to
prove he wasn't a patchouli-reeking peacenik by constantly kowtowing to
the Pentagon establishment. Withal, the situation will be worse with
Hillary, who, time and time again, will have to establish her macho
credentials by bombing somebody, anybody, anytime and anywhere.
In this way, due to his charm, intelligence and his almost
preternatural talent to feign empathy — Bill Clinton was more dangerous
than George W. Bush — because Bush, at least, reveals to the world the
true face of empire. Although, at present, most Americans are unwilling
or unable to face our true face. Accordingly, the crack-brained
narrative of the present moment goes: to be viable as
commander-in-chief, Hillary must prove her toughness, preferably, in
some he-man display of resolute stupidity. Since the flight-suit on the
deck of an aircraft carrier gambit has been played-out, perhaps her
handlers could set-up a photo-op involving the masculine iconography of
the World Wrestling Federation. It should be arranged that she wrestle
and then body slam two midget wrestlers portraying Dennis Kusinich and
Ron Paul. Such an act of political stagecraft could prove to be Hillary
Clinton's so-called "Sister Souljah moment."
Sarcasm, you say?
Barely. Our collective mindset regarding the nation's pernicious
militarism rises to about the level of thoughtful insight and searching
introspection that is on display in the realm of professional
wrestling. Furthermore, at least, the wrestlers themselves (and most of
their audience) know the violence of the sport is staged. Unfortunately
— while the political theatre of US politics is fake as well — in Iraq,
the blood isn't.
Phil Rockstroh, a self-described
auto-didactic, gasbag monologist, is a poet, lyricist and philosopher
bard living in New York City. He may be contacted at
philangie2000@yahoo.com